This dichotomy and frictions in the CGI utopic envisioning, has led to creating pieces that reference both photography, and construction. These forms emerging into architectural space, offer a fluid possibility, and a tactility. Such works are fragile and messy, hard to define yet solid, still but active, something born between the gaps between the idea of a building and its construction opening up new possibilities and potentiality
Resulting artworks sit somewhere between the image and sculpture, in an attempt to bring another way to visualising the new building and the shifting space of construction, a counterpoint to the formulaic language of the render.
The possibilities in gaps (poles), 50 x 60, C-Type, 2022.
Possibility in collapse ( 2nd floor), 50 x 76cm, C-Type, 2022 .
